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The Edit

0 of 29 fields personalised · risk 43 · skin-like 57 · 3 films · 8 min applying

The answer

Build performance minimal — 6 objects, 3 films, about 8 minutes.

Why

Sebum movement is doing the most model work (+7). The model raises wear pressure because sebum is in the profile and you do not want midday intervention.

Caveat

Education only — never a diagnosis, toxin score, safety ranking or calibrated probability. Verify the unit in your hand.

Next

Read the order, then open the kit, pick one house example, and take your list to the counter.

Pancake index 43 out of 100. Skin-like index 57 out of 100. These are heuristic model scores, not measured probabilities.

Your pancake index

43

Conditional · Balanced architecture

Skin-like index 57·model baseline 30

Products

6 / 6

Layers

3

Minutes applying

8

Tension

20

Undertone, depth & colour family

Not stated yet

Undertone and depth are both unset. Everything below is the general answer; set either field on the profile and it becomes specific to you.

Figure · the plate

Colour for not stated yet at unknown depth, grouped by what each family is for. The crossed swatch is the one that most often goes wrong here — and why is printed beside it.A plate of colour swatches grouped by cosmetic role, with the family to avoid marked, and corrector colours placed for the stated depth.DepthDepth is not stated, so shade guidance stays general. Depth changes corrector colour more than any other fiel…BlushThe two families that…Soft roseMuted peachLipA shade close to your…RosewoodYour own lip colour, o…EyeThe two shadow familie…Neutral brownTaupeBronzerNeutral bronze is the…Neutral bronzeContourTaupe is a shadow on e…Neutral taupeHighlightBetween warm and cool,…Soft champagneMetalsRun the gold-and-silve…EitherCorrectors, for this depthNo colour correction neededNone.
  • Recommended
  • Goes wrong here— struck through
  • A sentence, not a colour— empty chip
Colour for not stated yet at unknown depth, grouped by what each family is for. The crossed swatch is the one that most often goes wrong here — and why is printed beside it.From the undertone and depth on your profile. Swatches are illustrative, not shade matches — a screen is not a mirror.

How to tell

Two tests that work at every depth, and one that does not. What works: put a stripe of any foundation you own along the jaw, leave it twenty minutes, and look at it in daylight — a shade that goes orange on you was too pink for you, one that goes grey or ashy was too cool, and one that disappears was right. Second: hold a true red lipstick and an orange-red one up to your mouth and see which one your own lip colour agrees with. What does NOT work is the wrist-vein test. Vein colour is decided by how deep the vessel sits and how wide it is, not by anything about your skin's temperature, and on deeper skin there is often nothing to read at all.

What that means for the base

Until undertone is stated, the desk matches on depth only and biases toward sheerer bases — because a sheer base forgives a small mismatch and an opaque one advertises it.

At your depth

Depth is not stated, so shade guidance stays general. Depth changes corrector colour more than any other field on the desk.

Colour families

  • Blush

    Soft rose · Muted peach

    The two families that read as blood on almost every undertone.

  • Lip

    Rosewood · Your own lip colour, one shade deeper

    A shade close to your own lip is the one that cannot clash.

  • Eye

    Neutral brown · Taupe

    The two shadow families that work before you know your temperature.

  • Bronzer

    Neutral bronze

    Neutral bronze is the safest choice while temperature is unknown.

  • Contour

    Neutral taupe

    Taupe is a shadow on every undertone; a warm contour is not.

  • Highlight

    Soft champagne

    Between warm and cool, so it does not fight either.

  • Metals

    Either

    Run the gold-and-silver test above and this answer becomes specific.

Corrector colour for your depth

  • No colour correction needed

    None.

    Nothing in your profile names a colour that has to be cancelled. A corrector with no colour to correct is one more film for no return.

What your depth does to colour

  • Depth is unset, so this stays general.

    Depth decides how much pigment a colour needs to register at all, which is a different question from which family it belongs to. State it and these notes become specific.

Matching rules

  1. 01Match on the jaw and check against the neck, in daylight. A hand is a different colour from a face on almost everybody.
  2. 02Wait twenty minutes before you judge a base. Most oxidation happens in the first half hour, and it is why a shade that matched in the shop is orange by lunchtime.
  3. 03If two shades are close, take the one that is very slightly lighter and warmer — spot work can add depth, but nothing removes a base that is too dark.
  4. 04A base that needs a second layer to look right is the wrong shade, not the wrong amount. Extra opacity does not fix a mismatch; it advertises it.

Placement, for your lid

The desk has not been told anything about your lid, so every eye instruction here is the general one.

How much lid shows when your eyes are open decides whether a placement is visible at all, and it is the one eye question this desk cannot work out for itself. Until it is answered, shadow and liner advice here is written for a lid with a visible crease — which is a guess, and not a safe one.

  • Every lid

    Judge every eye placement with your eyes open and looking straight ahead, not closed and tipped back. A shape that is even on a closed lid is a shape you have never seen on your own face.

    The lid you wear is the open one. Everything about how much shows, where the fold sits and where a line has room to be a line changes between open and closed, and only one of those states leaves the house.

What this does not account for

  • Season is stated on the profile and is not read here. Whether a colour belongs to a season is a fashion judgement rather than something that follows from undertone or value, and the desk would rather say nothing than pass an opinion off as a consequence.
  • Coverage is not read here either. A heavier base leaves less of your own skin showing through to mix with the colour on top, which plainly changes how a family lands — by how much is the part nobody here can currently defend.
  • No room is named, so nothing below accounts for the light the face will actually be seen in. That is the single largest thing this report is missing, and it is one field away.
Watch the hand · 4 referencesDepth and undertone, judged on skin rather than described.

Chosen to demonstrate a decision this desk already makes. They are technique references, not endorsements, and a product named inside one is an archive example rather than a recommendation.

Contextual finding intelligence

The finding should tell you what to look at next.

Each panel ties the current desk context to a measurement procedure, one-variable test, explanatory plate, worked case and source trail. It is a decision aid, not a diagnosis.

audited baked fallback

catalog 2026-09-13-baked

Why this is here now

Read depth and undertone as separate axes after the film settles.

The profile does not yet contain a stated value for this variable, so treat this as a planning prompt rather than a personal conclusion.

Depth and undertone axesA coordinate diagram separates light-to-deep depth from cool-to-warm undertone so shade mismatch can be read on two axes.DEEPERLIGHTERCOOLERWARMERABSEPARATE THE AXES BEFORE CHOOSING
Explanatory plate, not a measurement. The measurement procedure is listed beside it.

Measure this

Place narrow swatches where face and neck can be seen together. Compare which swatch disappears in depth first, then which leaves the least warm/cool cast after visible dry-down.

Smallest useful test

Let each visibly settle and compare in the light where it will be worn.

Decision matrix

Colour: separate depth from undertone

Keep constant
Place narrow swatches where face and neck can be compared.
Change
Let each visibly settle and compare in the light where it will be worn.
A useful result supports
The best match is the film that disappears most convincingly on both axes.
It cannot establish
One fixed wait time or one room cannot predict every formula/camera condition.

Closest worked case

Foundation looks darker after dry-down

A base appears matched when wet but shifts after it settles.

Worked-case outcome reading
If betterIf sameIf worse
If one remains closer in depth/undertone after settling, choose from the finished film rather than the wet swatch.If neither changes meaningfully, lighting or surrounding colour may be driving the perception.If the shift varies between tests, amount or underlying film may be interacting with appearance.

Next · Repeat once under the light where the product will actually be worn.

Prefills hypothesis, constants and the one variable to change. Saved locally only.

Sources for this finding